private culture ( CN-MI new wave/electronica )
PRIVATE CULTURE starts in 2009. His inspirations are many, mostly related to the cinema, art and literature.
The music of PRIVATE CULTURE is the instrument to tell a vision of what the future is in our minds: music for post-industrial landscapes.
The perfection of the human architecture starting to crumble.
The formation of PRIVATE CULTURE is as fluid as its expression: electronics, guitar, bass, vocals blend and disappear constantly in it.
In July 2011 the band releases the eponymous debut album and begins the collaboration with performing art/contemporary theatre company Codice Ivan for the music and sound design of their works GMGS_What The Hell Is Happiness and Score.
FUTURE FAILS è il secondo disco di PRIVATE CULTURE, dopo il debutto autoprodotto del 2011.
Nato tra l’anno successivo e il 2013 a metà strada tra Cuneo e Milano, città di provenienza dei suoi due componenti, il disco contiene 10 tracce che raccontano 10 storie differenti, componendo un universo di suoni e di visioni costruito intorno alle basi elettroniche, sostanza e cifra distintiva del gruppo.
Sopra di esse, voci filtrate, chitarra e basso distorti creano l’orizzonte sonoro di FUTURE FAILS, che si sposta tra la new wave, l’ambient e l’industrial alla ricerca di una forma di linguaggio capace di raccontare in suoni l’immaginario mondo che ci circonda.
FUTURE FAILS non sarebbe mai nato senza James Ellroy, Joy Division, John Carpenter, Ministry, Nicolas Winding Refn, Raymond Chandler, William Friedkin, Don DeLillo.
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FUTURE FAILS is the second album from PRIVATE CULTURE, following the self-released debut in 2011.
Conceived between 2012 and 2013, halfway between Milan and Cuneo, the cities where the two band members are from, the album shows 10 tracks telling 10 different stories and lines up an array of visions and sounds around the electronic landscapes, the real trademark of the band.
Above that, distorted voices, guitars and bass form the musical pattern of FUTURE FAILS, among new wave, ambient and industrial, seeking the best language to describe through sound the imaginary world around us.
FUTURE FAILS would never be born without the words, the images and the sounds of James Ellroy, Joy Division, John Carpenter, Michael Mann, Ministry, Nicolas Winding Refn, Raymond Chandler, William Friedkin, Don DeLillo.
